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Maktabah Reza Ervani




Judul Kitab : Orientalism- Detail Buku
Halaman Ke : 19
Jumlah yang dimuat : 189

24 ORIENTALISM whose goal is to reveal the dialectic between individual text or writer and the complex collective formation to which his work is a contribution. Yet even though it includes an ample selection of writers, this book is stil! far from a complete history or general account of Orientalism. Of this failing I am very conscious. The fabric of as . thick a discourse as Orientalism has survived and functioned in Western society because of its richness: all I have done is to describe parts of that fabric at certain moments, and merely to suggest the existence of a larger whole, detailed, interesting, dotted with fascinating figures, texts, and events. I have consoled myself with believing that this book is one installment of several, and hope there are scholars and critics who might want to write others. There at i is still a general essay to be written on imperialism and culture; other studies would go more deeply into the connection between Orientalism and pedagogy, or into Italian, Dutch, German, and Swiss Orientalism, or into the dynamic between scholarship and imaginative writing, or into the relationship between administrative ideas and intellectual discipline. Perhaps the most important task of all would be to undertake studies in contemporary alternatives to Orientalism, to ask how one can study other cultures and peoples from a libertarian, or a nonrepressive and nonmanipulative, perspective. But then one would have to rethink the whole complex problem of knowledge and power. These are all tasks left embarrassingly incomplete in this study. The last, perhaps self-flattering, observation on method that I want to make here is that I have written this study with several audiences in mind. For students of literature and criticism, Orientalism offers a marvelous instance of the interrelations between society, history, and textuality, moreover, the cultural role played by the Orient in the West connects Orientalism with ideology, politics, and the logic of power, matters of relevance, I think, to the literary community. For contemporary students of the Orient, from university scholars to policymakers, 1 have written with two ends in mind: one, to present their intellectual genealogy to them in a way that has not been done; two, to criticize—with the hope of stirring discussion——the often unquestioned assumptions on which their work for the most part depends. For the general reader, this study deals : with matters that always compel attention, all of them connected j not only with Western conceptions and treatments of the Other but l


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